With apologies for the unannounced absence (I was visiting the Happiest Place on Earth), we’re back. A lot has happened in the interim, at least in terms of details about the Great Relaunch of 2011. The general idea circulating comics sites is that the Batman franchise is going to remain largely unchanged after September (although the return of Barbara Gordon as Batgirl suggests some changes, at least), so there doesn’t seem to be as much call for concern in these parts are there is in, say, Superman territory (where that’s still largely up in the air). More importantly, the alleged import of Gates of Gotham is still not entirely clear, but is beginning to take shape a bit more, when one considers how things might be slightly off-kilter from the norm come September. That’s probably a good thing too, since otherwise there wouldn’t be any books that “matter” this week.

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Well, I’d like to say that it’s a light week this week. And as old Ben Kenobi says, that’s true…from a certain point of view. In terms of books in the shelves in general and from the Batman family in particular, it is a pretty light one. Flashpoint #2 is dropping and that’s the big release, obviously, along with a handful of corresponding tie-in mini-series. However, that’s not even remotely what the internet is going to be talking about for the next several days (at the minimum), no matter what happens in this issue of DC’s big summer event…that now seems even bigger than it did Monday.

Obviously, I’m referencing the revelation that all of those rumors that the DCU was rebooting post-Flashpoint were true, at least in principle if not in fact. There are still some gray areas yet to be completely illuminated (such as whether or not so-called “legacy titles” such as Action Comics and our own beloved Detective Comics are subject to the Great Renumbering of 2011), but the gist has been revealed: whatever happens at the end of Flashpoint, it’s at least partially resetting the DCU, giving us new costumes, new origins, new heroes in familiar roles, new roles for familiar heroes, and, of course, new #1s.

Reaction has been mixed, to say the least. Die-hard, long-term fans, many of them trumpeting their loyal readership for thirty-some-odd years, are incensed; some would say quite rightfully. They feel betrayed that DC would change the history of some (or all) of the characters with whom they’ve grown from childhood to adulthood, in some cases quite literally (such as Wally West or Dick Grayson). Others seem to feel that it’s disrespectful to throw away one of DC’s irrevocable hallmarks: the sense of history that a book that’s passed 900 issues (with another on the way) represents.

However, the other side makes a compelling case as well. The comic book industry is irrefutably changing and it is certainly not getting any bigger by maintaining the status quo, the business being done the way it’s always been done. Only the delusional would look at the publication figures of the Big Two today in comparison to those of five short years ago and not acknowledge that the Great Recession cannot possibly be held responsible for all of those lost sales. A change is needed; no one is arguing that it’s not. Those in favor of DC’s undeniably bold move applaud the simple fact that it is bold, given the relatively “play-it-safe,” “stay-the-course” nature of the comic book industry. The fact that DC would be progressive enough to make any change is somewhat surprising; the fact that they’re making one like this is nothing short of staggering. Read More...

It’s a pretty small week this time around, with only two ongoing books and one collected edition. Even so, one of the two regular titles is THE title in the Batman universe these days, critically speaking. Let’s start with it.

Detective Comics #877

It’s hard to think of things to say about this book that the rest of the comics internet isn’t already saying. We’ll try anyway, though, and we’ll start with the writing.

Scott Snyder is, simply put, doing a career-making job. The guy was already making a name for himself on American Vampire, doing a tough job (taking over for Stephen King, after all), but this is just killer stuff here. On one hand, it’s vintage Batman storytelling: the city is a character in and of itself and Batman simply prowls it like an urban predator, grinding away at cases that draw into stark contrast the differences between the criminal element of Gotham and men like Batman and Commissioner Gordon (who is the co-star of the book). On the other hand, there is a deep and complicated multi-part narrative being woven here. The thread about James Gordon Jr. was introduced in the back-up stories of Snyder’s opening arc, but has now advanced to sharing the spotlight with the more traditional Dark Knight-centric yarns, the two plots progressing together. Despite that overarching story, the book remains accessible to new readers (who should go back to the beginning of Snyder’s tenure, but who could also get away with just picking up last month’s issue, if need be).

Visually, the book is a treat. Jock is technically the regular artist and his rough, scratchy artwork suits Snyder’s plots perfectly. However, Francesco Francavilla handles the Gordon-oriented issues and he has a very cool David Mazzuchelli thing going on that is equally appropriate for the more moody and deliberate police procedural stories. Read More...

It’s a “good news, bad news” kind of week. The good news is that there are quite a few Batman and Batman-related titles on the shelves this week and they pretty well run the gamut in terms of variety and target audience. The bad news is that the big question on the minds of the comics blogosphere and Batman fans in general seems to be, “Exactly what's going on with the Bat-books lately?"

Books are shipping out of order from their solicitations, crossovers are randomly growing, high profile titles are slipping from the schedule, and others can’t seem to acquire, much less keep, a creative team. There’s reason to suspect that perhaps the promised changes of the aftermath of this summer’s Flashpoint event are the culprits; perhaps DC is simply putting the Batman titles into a holding pattern before they shake things up in the fall.

Batman and Robin #23

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This is one hell of a week, people. The Batman line is practically busting with books, with five ongoing titles, a mini-series, and three collected editions. On top of all that, this is the week that the DC event of the summer kicks, with Flash #12 (which ends the book, albeit temporarily, in all likelihood) and then Flashpoint #1. The whole she-bang is of interest to comic fans in general, for the quality of the creative team, if nothing else. However, it should be of particular note to Batman fans, as the Batman of the alternate Flashpoint DC Universe is said to play a close second in importance to the Flash (indeed, in the Free Comic Book Day preview issue from this past Saturday, Barry Allen finds Batman and declares that he needs his help to fix the world). Let’s get started.

Batman Incorporated #6

Grant Morrison superhero books always walk a fine line between inspired creativity and absolute nonsense and Batman Incorporated has been no exception. Whereas the first story arc was more or less straight-forward (Batman and Catwoman swinging around Tokyo, fighting crime and recruiting a new member of Batman Incorporated), the second took more of a turn towards the kind of stories that most aptly characterize Morrison’s work: trippy, labyrinthine plots full of switchbacks and wordplay, populated by characters with strange names and even stranger costumes.

Morrison has famously adopted an attitude that everything that ever happened to Batman, in any era of the character, still did happen to him. This means that, at times, characters and concepts from by-gone eras of the franchise are being revived in the modern world, with varying results. The first arc was seamless; the second less so, as it felt like there was just a bit too much going on for three issues…but then again, that’s the way Morrison likes his books.

This month, he dredges up another old idea, that of the Native American Batman, Man-of-Bats, and his son, Raven Red. Solicitation text says that they’re the targets of a high-tech assassin; history would suggest that this arc will tie directly to the ongoing plot thread of Leviathan, an organization/underworld figure that’s been controlling all of Batman’s threats in this book so far.

Batman: Arkham City #1

2009’s Batman: Arkham Asylum for the PS3 and Xbox 360 was a runaway success for a variety of reasons (great voice-acting, impressive visuals, engaging gameplay, etc.), but one of the strongest draws for many Batman fans was the involvement of legendary Batman scribe Paul Dini as head writer for the game. Dini made his name in animation originally and it was on 1992-95’s seminal Batman: The Animated Series that fans of the Dark Knight (and quality writing in general) fell in love with his work. He also transitioned to the printed world of superheroics quite successfully and has been knocking out Batman yarns there for some time now.

Consequently, his continued involvement in the realm of video games, at least where they pertain to our favorite vigilante, is a welcome thing…which brings us to this mini-series. Read More...

Well, it’s back again: the slow, slow, sloooooow first week of the month. With literally only two Batman-related choices on the shelves this week, you’ll have to look elsewhere for the majority of your comic book entertainment. Secret Six and Jonah Hex are out and they’re always good. If I may be so bold as to suggest a Marvel title (*gasp* In this DC column?), Brian Bendis and Alex Maleev’s run on Moon Knight kicks off and that would seem to be of at least some degree of interest for Batman fans, in tone if nothing else.

Batman Beyond #5

Well, there’s only one ongoing Batman book on the racks this week and it isn’t even set on “our” Batman’s Earth. All the same, if you’re going to get a week with only one Bat-book…well, you could certainly do worse than this one.

This month’s issue marks the beginning of the title’s second story arc. #s 1-3 saw Batman tangle with the new Matter Master, alongside his world’s Justice League. Along the way, writer Adam Beechen wove in some character-driven threads, which were actually much more compelling reading: while Terry McGinnis has to juggle his life as Batman and his personal life, his girlfriend, Dana Tan, has some issues of her own that she’s keeping secret. Namely, that her mysterious brother is being released, presumably from prison (but this IS a Batman book, so let’s not rule out Arkham, shall we?), a fact that Terry is unaware of, so preoccupied is he with his superheroics.

Issue #4 was technically a single-issue story, but it effectively served as a bridge between the first arc and the one beginning this week. There, sidekick/best friend Maxine Gibson did what she does best: get Batman’s back. However, even there, Beechen laid groundwork for future stories in character moments, as Max (who is a burgeoning hacker) is propositioned by Undercloud (who is sort of a dark version of Oracle, speaking directly through machinery) to join forces. Additionally, the foundation was laid for a dust-up between the aged Dick Grayson and the ever older Bruce Wayne, as in Wayne’s eyes Grayson betrayed Wayne’s trust to the media.

If it seems like Beechen has a lot of things in the air during this juggling act…well, that’d be because he does. This month, the book launches a new three-issue, “Industrial Revolution,” which sees riots at Wayne-Powers Industries sending the company’s stock prices plummeting. In seeking the cause for the riots, Terry will have to find Paxton Powers, the recently-released-from-prison brother of Derek Powers (the industrialist with whom Bruce Wayne’s corporation merged, who also became the toxic villain Blight). All the while, the already-established subplots look to be advancing, as well as the rumors that a spin-off title about the Justice League of this Earth is in the works (which would seem to be more likely after Batman joined them officially at the end of the first arc). Read More...

The shipping list holds basically steady this week, with the always entertaining Teen Titans and two installments of a three-part crossover that evidently grew into four parts with Batman and Gotham City Sirens.

Teen Titans #94

Last month’s issue kicked off the adventure of the entire spring for the Teen Titans. Following up on plot threads introduced in this winter’s Wonder Girl one-shot, the team traveled to the border region between Pakistan and India. There, both Wonder Girl’s mother and the parents of a new hero named Solstice (who was introduced to Wonder Girl in the aforementioned one-shot) are engaged in archaeological studies of the ancient ruins. The Titans arrived last issue due to a distress call from Wonder Girl’s mother, pursuant to the events we saw at the end of the Wonder Girl special, where Solstice’s parents went missing.

Last issue was a well-crafted book. J.T. Krul proves that he must have learned something about writing dialogue during his time working on the set of Seinfeld (that’s not a joke; look it up), as that was one of the strongest points of an already solid issue. Writing teenage heroes is always a balancing act for comic writers, simply because those teenage years were quite some time ago for most of them. However, Krul manages to avoid the missteps that so many others make, such as too much melodrama (to the point that it’s just not believable) or heavy-handed attempts to shoehorn “current” teenage slang into the dialogue. That’s not to say there isn’t melodrama, because there certainly is (Superboy and Wonder Girl’s romantic tension, Superboy and Red Robin discussing leadership roles, Ravager manipulating Kid Flash’s overeager flirtatiousness, etc.); it’s just lightly done and in the proper amount.

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After last week shipped literally one book (and a family emergency dictated this column not appearing), things return to normal with a fine slate of books this week. It’s been said before, but this week is really one of those “something for just about everyone” kind of weeks.

Birds of Prey #11

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Well, it isn’t exactly a blockbuster week in terms of quantity, but three is a decent number and the quality is certainly there. The standout title though is clearly Detective Comics.

Detective Comics #875
It’s rare, one would have to think, to be in the midst of an author’s run on a book and realize that you’re reading work that will, in all likelihood, be considered career-defining somewhere down the road. All the same, here we are in Scott Snyder’s run on Detective Comics and that’s exactly what appears to be happening.

It’s been covered in this column for the past few months now, but just to be clear: Commissioner Gordon’s mentally unstable son James has returned to Gotham City, coincidentally (or perhaps not) at the same time that a new criminal regime appears to be taking shape in and control of the underworld. Oddly, despite first appearing in Frank Miller’s seminal “Batman: Year One” (which ran from Batman #404 to #407, almost twenty-five years ago), James Jr. has barely appeared in the intervening years. What is known is that Barbara Gordon considers it a fact that James Jr. is a murderer…and Commissioner Gordon’s thoughts, shown in flashback during the time that this plotline ran as a back-up story, seem to bear out that assertion. This month, bizarre occurrences abound, as a dead whale is found on the floor of one of Gotham’s largest banks.

Prior to his work on Detective, Scott Snyder was known for American Vampire. No slight mean towards his American Vampire writing, but his run on this book has been amazing. A fair complaint could be made that the book seems light on the superheroic side of Batman (or any side of Batman at all, given the strong focus on Gordon), but let’s keep something in mind here: it IS called Detective Comics, so it seems unfair to criticize it for centering on…well, detective work. Snyder’s writing has a pacing and mood that rivals that of the best prose noir writers. Additionally, one would be remiss to leave out Francesco Francavilla’s artwork, which echoes Frank Miller and David Mazzuchelli, a gritty, hard-boiled style that owes as much to its sense of color as it does its linework. Read More...

Mark it down, folks. This isn’t the biggest week ever in quantity, but it’s worth taking note, if for no other reason than the fact that the infrequently seen Batman Incorporated is shipping alongside the even more rarely seen (only once, as a matter of fact) The Dark Knight. It’s almost a certainty that you won’t see this combination a month from now.

Batman Incorporated #4
Last month, Grant Morrison did what Grant Morrison does: took disparate Silver Age elements, the majority of which are goofy to say the least (plot details from a parrot? A femme fatale wearing a giant scorpion mask, complete with a tail and stinger hanging from the top? A criminal mastermind in a luchadore mask?), and combined them with some James Bond-esque stylings (from the in media res opening to the inexplicable-but-awesome tango sequence)…and it all kind of worked, inexplicably. With Bruce Wayne visiting Argentina on a Batman Inc. mission, Batman teamed up with Gaucho to solve a case of three missing children. However, they were betrayed in the issue’s closing pages, left in a death trap where the two of them are about to be forced to fight to the death, battering each other with electrified gloves.

This month takes a step back a bit. The arrival of Batwoman (Kate Kane) leads to a flashback sequence involving the original Batwoman (Kathy Kane). The artwork, originally promised to be Yanick Paquette again, has instead been delivered by the newly-exclusive Chris Burnham…and that is just fine. Read More...

Well, it’s not the strongest week ever for Batman books, but what it lacks in quantity it (somewhat) makes up for in quality.

Batman #708
This month, the main title in the Batman universe ships and it comes with an odd caveat: this issue just feels (based on previews and solicitations) like a fill-in…even though it’s written by the regular writer.

Last month, new writer (and regular artist) Tony Danielfinished his first arc as the official ongoing scribe of the book. His martial arts-based story was fun, albeit somewhat pedestrian in terms of story. Visually, it was a good-looking book, although that probably shouldn’t come as any great surprise, given that Daniel has come to the writing side of the business late after making his name as an artist. Next month, Batman begins a crossover with two other Bat-titles. But this month, Batman tangles with the Falcones (one of Gotham’s original crime families, complete with ties to Batman’s earliest years) while the scion of that clan, Kitrina (who also dabbles as Catgirl) is considering making a play for control.

It’s an odd follow-up to the story of the last several months, and given that this story by necessity must wrap in a single issue, it’s hard to not think that this one has been sitting in a drawer for a while now, waiting for someone to draw it up. That suspicion is somewhat justified by the fact that Daniel isn’t doing the art; Andy Clarke drew that duty instead. Now, technically, Kitrina is going to be a part of the arc that follows the crossover, so it’s possible that this is the prelude to that story, but…eh. It just feels oddly placed, like DC felt that there couldn’t be a month without Batman. Read More...

Well, it is quite the week this week. On two fronts (ongoing books and collected editions), we’re looking good. The only thing lacking is an appearance by a mini-series or two, but you can’t have it all (and if something had to be missing, it’s a safe bet that most fans would pick the minis).

Batman Incorporated #3
To say that Grant Morrison is famous for big, crazy ideas is like saying Charlie Sheen is famous for speaking his mind; it’s quite an understatement. Having said that, one critique frequently leveled at Morrison is that he produces some of his best work when he isn’t doing creator-owned material. It’s almost as though, left to his own devices, Morrison’s grandiose visions are too much for many fans; put more succinctly, some of that stuff just doesn’t seem to make much sense. When he works on corporate-owned, franchise titles (such as his run on Marvel’s New X-Men or DC’s JLA, Batman, Batman and Robin, and now, Batman Incorporated), he seems to rise to the challenge of taking those characters as far as editorial dictates will allow…and that frequently produces some great stories.

Batman Incorporated has been no exception so far. The previous two issues took Batman (along with Catwoman, which was great for all the subtle and not-so-subtle sexual overtones) to Japan, establishing the first of his Batman franchises that the Batman Incorporated concept was designed to create. This month, the Dark Knight and his femme fatale cohort travel to South America to rendezvous with Gaucho. However, Gaucho is currently caught up in a feud with Papagayo and the dangers of…thousands of explosive blue scorpions. And let’s not forget hot air balloons.
The book is like a showpiece for Morrison’s ability to work inside the structure of a character (and a corresponding universe) that really cannot be changed in any substantial way for the long-term. Gaucho is himself a character from way back in the early days of the Silver Age, when he was originally a member of the “Batmen of All Nations,” which later became the “International Club of Heroes.” As he has done before, Morrison took that goofy ‘50s concept and managed to not only make it something that was able to be taken seriously, but made it actually quite cool. Read More...

Hands down, this is the most forgettable week for Batman fans in the month of March. Literally three-quarters of the ongoing books on the shelves this week have already been cancelled. For two of those three, this is the final issue. The other has one more month to go. So, effectively, the only book that “matters” is Batman Beyond which isn’t even set in the “present” of the DCU.

Batman Beyond #3
It’s almost damning with faint praise, but this is without a doubt the book of the week this time.

Over the past two months, Adam Beechen has woven a solid, entertaining opening story arc for the ongoing Batman Beyond. We’ve had melodrama, as Terry has to balance his love life, family life, and superhero life. We’ve had a creepy new villain, as a disgruntled scientist unleashed a device he didn’t understand, much to the chagrin of a whole mall full of innocent shoppers. And we’ve had friction between Batman and the Justice League of the future that did a nice job of echoing the sometimes contentious relationship the original Dark Knight had with the League of his day.

Finally putting aside their tactical differences to take down a common foe (and in turn rescue Terry’s family, who is trapped in said mall with the aforementioned crazy scientist), the League and Batman crept through abandoned sewer tunnels, showing that some things in Gotham City never change, no matter what time period our story is set (next stop: the Abandoned Warehouse District, located conveniently on the waterfront). Unfortunately, they arrived in the mall finally to found (to paraphrase the Emperor) a fully armed and operational Matter Master.

This month, we get the inevitable throw-down between the heroes and the out-of-control villain and artistic inconsistencies aside, the track record so far suggests that it’ll be a fun read that’s well worth your three bucks.

Batman Confidential #54 (Final Issue)
This book, at least in its final arc, was not cancelled for the absence of quality talent. In this case, it’s being written by Marc Guggenheim and penciled by veteran artist Jerry Bingham. In both instances, we’re talking about creators who are quite good, if not exactly superstars that are known by every comic fan.

At the end of the day though, this book is being cancelled for the same reason that its thematic predecessor, Legends of the Dark Knight, was: a perception, for right or for wrong, that the book doesn’t matter in terms of the ongoing continuity of the character and hence, is not required reading (much less buying). Like LotDK, Batman Confidential has been a rollercoaster of quality, seemingly varying on an arc-to-arc basis. It would be nice to think that the comic book industry is healthy enough to support a book like this, which was essentially a Batman anthology, but it just isn’t. The business as it stands today is, no matter how much fans complain about it, driven by events and a “what’s hot this month” mentality and that means books like Batman Confidential are not going to succeed in the long run (although lasting four and a half years is no mean feat).

Having said all that, it would be a surprise if the end of this book was not met sooner rather than later with the launch of a copycat title, albeit with a different name again. Read More...

There are only three books this week, but the overall level of quality is pretty high. The three titles shipping represent pretty diverse cross-section of the Batman franchise (well, as diverse as Batman books ever get), so there’s kind of something for everybody this week.

Detective Comics #874
DC recently revised its pricing model to much fanfare, re-establishing (after a thankfully brief dalliance with the $3.99 pricepoint) $2.99 as the default price for their ongoing books. Fans were, quite understandably, pleased. However, the move did not come without corresponding cuts to the books themselves. The most significant was that 22-page comic books became 20-page comic books. The other change was much more low-key, affecting only a handful of books: the much-maligned back-up stories, which had been used to justify the $3.99 price for several books, were going away. In the great scheme of things, most fans didn’t seem to mind. The majority of those back-ups were not viewed as actually being the “value added” feature that DC tried to position them to be. On top of that, fans frequently wondered why those that actually did meet their standards were not just released to stand on their own merits; if anything, for some back-ups, being crammed into eight-page installments at the end of a sometimes unrelated title was completely doing them a disservice.

Scott Snyder’s Commissioner Gordon back-up story was guilty of half of that equation. While it was paired with the ongoing title that best fit it (Detective Comics), its existence as a back-up clearly relegated it to a second-class status that was completely undeserved. It was, in point of fact, a compelling and well-crafted noir tale in its own right. Read More...

This week is, quite obviously, a considerably less…substantial…week than last one. Having said that, it isn’t without some interesting items; it’s just that there isn’t much going on in the way of A-list books ("Batman Incorporated" and "The Dark Knight" already running behind schedule don’t help things either).

Batman #707
The lone major ongoing book to ship this week, Tony Daniel wraps his first story arc as the entire creative team on this title. It’s been a run that, perhaps unsurprisingly, has been more of a feast for the eyes than for the brain (Daniel is, after all, primarily an artist). This issue promises some degree of resolution to the conflict involving Peacock’s gifted brother and a mysterious, cursed artifact from the Far East.

However, the twist that the mystery goes all the way back to the city founders of Gotham seems somewhat less likely to be wrapped up this week, in light of the May solicitations that DC just revealed this week. Batman: Gates of Gotham, a six-issue mini-series shipping beginning in May, promises to elaborate on what appears to this exact plot thread. So, in that regard, some of the thunder for Daniel’s first arc has really been stolen.

Detective Comics Classics
This one is a tough book to categorize. On one hand, fifty pages for $5.99 is not exactly a strong value proposition when it’s new material; it’s considerably less so when it’s just reprints. DC is, after all, currently focusing on keeping as many books as possible to the $2.99 pricepoint.
On the other hand, the reprints contained within feature Elliot S. Maggin and the amazing Gardner Fox as writers, along with Gil Kane and Mike Grell doing art chores (amongst others, on both sides). So while the economy of the issue is still a touch on the shaky side, the quality of the contents is relatively solid: there are some greats of the industry with stories reprinted here. Additionally, this small collection was previously available exclusively as a pack-in item in the DC Direct “Detective Comics Action Figures Box Set.”

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