
There has been a lot of call lately in comic book circles --both by fans and creators -- for a move away from "grim n' gritty" and realism, and a return to a more "golden" time of real heroes. The idea goes something like this: comics should largely stop trying to "ape" the real world with all of its politics, sex, and violence, and once again be an all-ages accessible medium. You know, like the comics I read as a child. Back in 1980.
Personally, I love delving into the comics of my youth -- and spend quite a lot of money doing so. They comfort me, reminding me of an earlier time when things were "simpler" (if only according to the perception of an seven-year-old). But the current comic books that hold my attention the most are those that have some sort of commentary and/or relevance to the world around me now. And I'm not sure how we can fault many of today's comic book writers for wanting to do the same.
Mark Millar and Leinil Yu's "Supercrooks" #1, out now from Marvel's Icon imprint, questions the narrative of the "Golden Age" of clear-cut heroes and villains, with the super-powered "bad guys" being cast in a very sympathetic light. The Supercrooks are victims, to an extent, not only of the hyper-brutal and ethically-questionable brand of superhero -- but of a corrupt and unfair society that has essentially "pushed them into" their crimes. Yep, we've definitely seen variations of this story before, but that seems okay with writer Millar, who is clearly framing the narrative as more of an ultra-cool "caper" (of the "Tower Heist" variety, to cite the most current cinematic iteration of the theme) than as a political statement. Read More...