Bruce Jones has had an extensive career crafting some of the most diverse and interesting horror fiction in outlets as varied as Creepy and Web of Horror to writing for the horror anthology television series, The Hitchhiker. Jones is also a Robert E. Howard aficionado, having written Conan and Red Sonja at Marvel previously—so of course, he would jump at the opportunity to write for a new Solomon Kane miniseries for Dark Horse.

Jones talked to MTV Geek recently about the pleasures of writing the gun-toting Puritan and tells us a bit about what he has in store for Howard’s character.

MTV Geek: How did you get involved with this project?

Bruce Jones: Editor Philip Simon at Dark Horse called and asked if I’d be interested in adapting some of Howard’s Solomon Kane material to the comic format. I gave a very enthusiastic “Yes!”

Geek: Could you tell us a little about your version of Kane? What’s the appeal for you as a writer?

BJ: The biggest appeal is that I’m a huge Robert E. Howard fan who’s been reading his stuff since high school. It was harder to find back then. Later, when the Lancer paperbacks with the Frazetta covers came out I began collecting them avidly. Eventually, I went on to find the old Arkham house editions like Skull Face and The Dark Man. Howard was a big part of my formative years. I grabbed anything I could find on him.

Geek: A larger point: you’ve worked on the pillars of Howard’s oeuvre (Red Sonja, Conan, and now Kane). What brings you back to his works?

BJ: The chance to do Solomon Kane, one of the few Howard characters I hadn’t adapted to comics yet. It was a blast re-reading the stories again—they hold up so well—and getting inside the mind of Kane who is much darker and more introspective than some of Howard’s bigger-than-life creations like Conan, etc. It was great for me because I found Kane’s brooding personality very humanistic, very conflicted yet at the same time there was still plenty of action to play with in both tales. Read More...

If you’re a Neal Adams fan, 2011 seems like something of an embarrassment of riches from a comics creator whose output over the last few years had been restricted to covers. But this year sees the writer/artist who put Green Lantern and Green Arrow on the road together and pitted the greatest boxer in history against arguably the world’s most important comic character creating his own potential breakout character in the pages of the Dark Horse Presents relaunch this week, while working on Batman: Odyssey at DC and a still secret Wolverine project at Marvel.

We spoke to this legendary creator about his new story, Blood, the value of his work in comic history, and the current creative landscape in the industry. Be forewarned: the word “romp” may or may not be used in this piece.

Neal Adams: So, what’s up?

MTV Geek: Well, I wanted to talk to you about your contribution to DHP.

NA: DHP? That’s a new brand of toilet paper, isn’t it?

Geek: [laughs] So I guess just to dive right into it—

NA: You better come to this phone with your sense of humor turned on.

Geek: Hey, I’m here! I’m here, man.

NA: So…

Geek: So.

NA: I’m working on Dark Horse Presents.

Geek: What attracted you to the project initially?

NA: What attracted me to the project? They offered to have me to do a story that I owned and had and wanted to do as an independent piece as I was doing [Batman: Odyssey] for DC Comics and Wolverine for Marvel. And so I thought, “Well, Batman for DC and Wolverine for Marvel, that’s all old hat for me—I’d love to do Blood,” which I’ve been kind of working on for a couple of years, on and off.

Geek: The solicitations are pretty scarce with details about the plot. Could you tell us a little about the story and its lead?

NA: Sure. First, he’s dead. [laughs]

Blood is in an action sequence at the beginning. He’s a really hard-nosed cop—that’s why they call him “Blood.” He kills people. He’s kind of ruthless [and] he’s very tough and he’s in a city not unlike Chicago and the bad guys hate him. In a movie he’d be played by, well, a very tough guy.

The bad guys have taken his best friend, Lionel Street, to an abandoned steel mill and they’re pretty much going to kill him. And Lionel is an idiot savant and a very sympathetic character. Blood likes him like a brother. [The bad guys] have threatened to kill him, and say “If you don’t want him to die, come and see us and no backup.” And Blood is just stupid enough to go. No, not stupid at all—he’s trained and deadly.

He tears through the place like a berserker, death on every side, but finally runs into an obstacle that he can’t get past and it kills him—dead. And then the titles come on.

Geek: So it’s kind of like the pre-title sequence to a movie.

NA: That’s right, if it was a movie it’s the pre-title sequence.

Read More...

I can remember the first time I ever read anything by Howard Chaykin—somehow, I’d gotten a battered copy of an issue of his American Flagg in my young teen hands and I wondered what kind of brilliant madman could put out this kind of work. The action, the violence, it all seemed to pop of the page in a particularly mad way that the superhero comics I was reading at the time didn’t (or wouldn’t) do. Flash forward to the present, where I’ve finally had a chance to talk to the man himself about his work—he seems less mad but no less impressive in his ability to understand what readers want (his protestations to the contrary) through a 40-year career that has spanned comics, television, and film.

His latest work is Marked Man, an story that will be running through the 25th anniversary relaunch of Dark Horse Presents next week. Here’s what he had to say about the story, his craft, and the industry at large.

MTV Geek: Tell us a little about how your story, Marked Man, ended up as part of DHP.

Howard Chaykin: Basically, Mike called me up about doing a piece for Dark Horse Presents, and I pitched him two crime pieces—one period, one contemporary—and a Western. And he opted for the contemporary crime piece, which I was perfectly happy with—this is a project that I’ve been working on for 15 years.

It’s a very straight-up, contemporary crime thriller involving a criminal protagonist who, in the most basic of terms, lives an utterly and unrepentantly dishonest life. His belief system is shattered by a choice he makes based on the exigencies of the contemporary American economy.

Geek: So there’s a bit of a moral development for the character? Or is he just trying to figure it out as he goes along?

HC: The character has a crushing event in his life, and he goes through a physical, moral, and emotional transformation. At the end of the story, he comes out an entirely different person than when he came in—leaving it open for a sequel. But he solves his problem in the context of our 8-part serial. But he is utterly transformed and changed by his experience.

He is a thief and criminal who has no guilt or shame and ultimately his actions have grave consequences for those around him.

Geek: How long are each of your installments?

HC: Eight parts [at] eight pages [each], and I delivered the first two episodes. The entire series is written, because I’m a great believer in structure and I felt that it was important to write the entire thing first so that I could lay pipe and not have to pull things out of my a**. Read More...

We here at MTV Geek are excited about the upcoming Emerald City Comicon being held next week on March 4-6, and so we'll be checking in every so often with some updates about the show!

First up -- did you know that ECCC has an app? That's right, you can read your entire guide to Emerald City Comicon -- including maps, schedules, alerts, and more -- on your mobile device with the free The Conventionist app. Just download it from the Apple app store or the Android Marketplace.

Next: Dark Horse has just announced that it will be offering a free exclusive ECCC B.P.R.D. Hell On Earth comic book at the show. The story will feature the B.P.R.D. team fighting a giant monster in Seattle, and will be black-and-white with a color cover. Fans can meet the entire creative team for B.P.R.D. Hell On Earth at the show and have them sign the comic! Take a look at the cover for this ECCC exclusive below, and then read on for more details about the comic! Read More...

Sure, we all know what happened to Jedi Master Qui-Gon Jinn at the end of The Phantom Menace: he went to that great, glowing Ewok party in the sky. But how did he get there? That’s just one of the things that Dark Horse Editor – and writer – Scott Allie will be exploring in the new series Star Wars: Jedi – The Dark Side. The five issue comic book series will show a younger Qui-Gon, long before he met a young Padawan named Anakin, and perhaps long before he knew to stay away from that pesky dark side.

To find out more, we chatted with Allie – who also edits Hellboy, Buffy the Vampire Slayer, and more – about what makes Qui-Gon the perfect focus for a new series, and also, what makes him go to the dark side:

MTV Geek: Talk a little about the book… We’re going to see a younger – but still experienced – Qui-Gon Jinn, right?

Scott Allie: Yeah. He's already a master, but this is a long time before Episode I.

Geek: There’s not a lot about him in The Phantom Menace… What did you draw on for his character? Is there a big book all about him somewhere at Skywalker Ranch that you’re only allowed to read once? Or did you have the chance to bring your own nuance to his character?

SA: I read some of the YA novels with my son, but mostly I extrapolated backward from the movie. I'm not doing anything that's not implied somewhere, in the first film or the expanded universe stuff, but there's never been a look at the character like this. The novels he appears in are YA novels, for the most part, and focused on Obi Wan. This story takes place a while before that, and is targeted at a slightly older audience, the standard comics audience. So we get to deal with his weaknesses in a different way, his, shall we say, imperfect judgment, and the book really is all about him. This man will be one of the most revered Masters, with a special bond with the Force, and he's the guy who insists on training the kid who will grow up to be the mass murdering Darth Vader. So I want to know who THAT GUY was when he was younger, when he was still determining his future, and when his emotions were not entirely in check. Read More...

The covers for "Dark Horse Presents" #2 were released today, along with a star-studded line-up that includes Neal Adams, Sanford Greene, Carla Speed McNeil, Howard Chaykin, Richard Corben, Paul Chadwick, and more! Take your first look at the covers by Adams and Greene below, then read on for more details about the second issue of the revived DHP anthology that hits stands June 22nd!

Read More...

Ron Chan has been busy. From coloring the acclaimed miniseries Underground, to fill in pages on a few X-Men books, Chan has been building a rep as a reliable, unique artist. But the Portland native is about to take things to the next level, as he’s providing a cover to Dark Horse’s The Guild: Tink one shot, as well as art for nine stories in Morgan Spurlock’s new graphic novel, Supersized.

We tracked down Chan to talk about these gigs, whether drawing Supersized grossed him out, and just how difficult it is to work with a harsh taskmaster like Felicia Day...and also scored you an exclusive first look at his work in Supersized!

Geek: Let’s talk about The Guild, first. You’ve done a double page spread of characters before, but I believe this is your first official cover?

Ron Chan: Yes, this is my first cover for Dark Horse and The Guild. I was super excited when I was asked to do it.

Geek: How hard was it work off of a real person? Or does it help that you’re doing the avatar version of a real person?

RC: It doesn't make it too much more difficult since, by nature, I don't draw in a photo-realistic style, so there isn't as much pressure to nail likeness. I think in comics it's more important to get across the attitude and general feel for a character than it is to get hung up on exact likenesses.

Geek: Tell us about the cover process – how did you approach it? And did you get a lot of angry, very specific notes from notorious detail-hound Felicia Day? I know she doesn’t even remotely have this rep, but go with me here.

RC: You won't get any trash talk from me, haha. Felicia was very easy to work with. The editors and I received only very minimal notes from her on the cover.

Geek: Okay, okay. But were you a fan of the series before Dark Horse started giving you Guild gigs? Or are you not much of a gamer?

RC: Oh yeah, I'm definitely a long time fan of the series. I've been a gamer all my life, so the humor of The Guild is right up my alley. Read More...

Dark Horse was recently named Manga Publisher of the Year by the Diamond Gem Awards -- a tip of the hat to a publisher who has been been offering manga to American audiences for 23 out of the 25 years of its existence. We took some time to chat with Dark Horse's Director of Asian Publishing, Michael Gombos, to discuss their manga publishing program and what makes it so unique.

MTV Geek: How extensive is Dark Horse’s manga publishing program? How is it distinct from those of other publishers?

Michael Gombos: As a total of our publications, it's less than 10% of the total releases from Dark Horse. First and foremost, Dark Horse is a American Comics Company, although we're also the longest-running American publisher of manga. So, in terms of volume, it isn't a giant, earthshaking machine. Over the last several years, we have averaged about 85 volumes (amongst 7-12 series). Additionally, we'll release about a half-dozen art books and/or novels that are related to Japanese entertainment properties per year. Even though DH manga represents a relatively small percentage of total publishing output, it's a significant percentage of our bookstore revenue, so commercially, it's a crucial component of what we do. In fact, Dark Horse's #1 all-time trade paperback seller (a collected edition) is a manga; Kazuo Koike and Goseki Kojima's "Lone Wolf & Cub" has nearly 1.5 million volumes in print. DH's longest and second longest running series, and also the longest-running and second longest-running English language editions of manga, are "Oh My Goddess" and "Blade of the Immortal," respectively.

Read More...

Dark Horse, a publisher best known for their comic books, continues to expand their prose program with two new ambitious books slated for this summer. "Supernatural Noir" will be edited by the Hugo and Bram Stoker award-winning Ellen Datlow, and feature short stories from such authors as Joe R. Lansdale, Caitlín R. Kiernan, Brian Evenson, Nick Mamatas and more. "The Damned Highway: Fear and Loathing In Arkham" teams Mamatas with Bram Stoker award winner Brian Keene on a story that combines Lovecraftian lore with a Hunter S. Thompson flavor.

Read on for more on "Supernatural Noir" and "The Damned Highway: Fear and Loathing In Arkham," on sale June 22 and July 20 respectively.

Official Press Release:

Dark Horse Continues to Expand Prose Publishing Program with Two Great New Titles!
FEBRUARY 1ST, MILWAUKIE, OR–On the heels of such successful titles as Mogworld and Lovecraft Unbound, Dark Horse continues to add titles to a growing prose line. Read More...

For nearly fifteen years, Dark Horse Presents was the premiere anthology in the comic book industry. Premiering everything from Paul Chadwick’s Concrete, to Frank Miller’s Sin City, DHP set the industry standard, and put Dark Horse on the map as a publisher. After a brief stint online, and a short break, the comic is back in April – this time in full color, eighty pages long, and featuring… Paul Chadwick and Frank Miller. And that’s just the tip of the iceberg.

In order to find more about the title’s release, we chatted with Dark House founder Mike Richardson about what to expect from the rebooted comic, why its important to bring it back now, and got some teases about a few surprising favorites that might be coming back with a new look.

MTV Geek: So let's get right into it… In a lot of ways, I feel like this has almost been a signature book of Dark Horse.

Mike Richardson: Well, I think it's probably true in a lot of different senses. I mean, first of all, it's a book that we launched with the company back in 1986. It's a book that was very different then... When we first signed Dark Horse I was told that anthologies don't sell and yet we lasted with 157 issues - and could have continued to last with, or continued on with the series if we had chosen to. It’s also the book from which we launched many of our popular series, from Aliens, to Sin City, and many others… Concrete, Hellboy, to name a few. I mean just a lot of the series that we’ve published started in Dark Horse Presents.

Also, you know, when we try to get in business with a lot of the creators out there in the comic industry, many of them don't have the time, or are under contract to do other series - but can find time or can find exclusions to come and do an 8 page story. So it gives us access to people we might not have access to otherwise, and we were able to build up strong relationship a lot of those people. Read More...

Click the images for previews of Dark Horse Comics' new releases for Wednesday, February 2!

Hellboy: The Sleeping and the Dead #2

Read More...

Over the course of two seasons on FOX, Dollhouse went through more changes than Eliza Dushku's character Echo. But by the end of the final episodes, fans were hooked. The entire premise of the show-programmable human beings can be made to order for the rich-had been turned on its end, leaving us in a post-apocalyptic future where most of the human race had their minds wiped, leading to the end of civilization as we know it.

This March, series writers Maurissa Tancharoen and Jed Whedon return, once more, to this vision of the future with a one-shot from Dark Horse that's a continuation of the series, as well as a great introduction for new readers. We chatted with them about the book, whether they'll be making cameos, and what's next for Dollhouse. Oh, in case you're wondering: the pair are a hive mind, and answered all of their questions together.

MTV Geek: Way back before the show premiered, I talked to Joss Whedon and asked whether he'd ever consider doing, or letting someone do a comic version of Dollhouse. He said pretty definitively, "no." What changed?

MT & JW: Time passed, Joss grew older and a little wiser.  Initially he didn't think that the Dollhouse premise would translate well into comic book form, but when we were deeper into Season One and developed the future timeline of the Epitaph episodes, his feelings changed.  The apocalyptic future of Dollhouse was a comic book story worth telling.

Geek: You had a pretty nice, clean button on the show-or at least Echo's story...Why continue it now? And why in comic book form?

MT & JW: The "Epitaphs" series begins the day of the phone call that sparks the Apocalypse.  There’s a lot of time to explore between that moment and when we ended the TV series.  And Echo, during all that, is still buttonless.  So there.

Geek: Which characters will we see returning in this one-shot? Any new characters?

MT & JW: Some of the main characters on the show will appear in the comic series and we'll introduce some new ones.  Total party.

Geek: Maurissa, you played Kilo in a few Dollhouse episodes, and tend to cameo in a lot of the web videos you guys make. Do you get a cameo in this comic?

MT: We all know that Kilo was the real star of Dollhouse and that her story will live on in everyone's hearts.  That being said, if I appear in one more thing I'm writing I think I'll be fired forever.  So no, no Kilo in this Read More...

Check previews of the great titles coming from Dark Horse Comics on Wednesday January 26th!

Star Wars: Darth Vader and the Lost Command #1

WRITTEN BY: HADEN BLACKMAN
PENCILS BY: RICK LEONARDI
INKS BY: DAN GREEN
COLORS BY: WES DZIOBA
COVERS BY: TSUNEO SANDA AND DOUGLAS WHEATLEY

Description:

Still haunted by the events in Revenge of the Sith, Darth Vader must set aside his past and put his future on hold for a mission to the mysterious Ghost Nebula to locate--and if possible, rescue--a missing Imperial expeditionary force.

But what seems a perfect opportunity to lose himself in his duty is complicated by two factors: he is paired with a willful yet highly competent co-commander, and the officer they are being sent to locate is the son of Vader's rising nemesis, Moff Tarkin. Read More...

Welcome to Crossovers We Want to See, a fairly self-explanatory recurring feature in which we pitch the meeting of a pair of characters or teams from different comic companies. Playing editor, we'll dream up writer and artist combinations and basic story points.

Casanova & B.P.R.D.: Secret Agent Men
Written by Matt Fraction & Mike Mignola, drawn by Jim Steranko

After a hard fought adventure in an alternate timeline, super secret agent Casanova Quinn is looking forward to some rest and relaxation when his travels are interrupted by some uninvited guests: Abe Sapien, Johann Krauss and Liz Sherman of the B.P.R.D. After comparing notes and realizing that the magics of an enemy they were facing must have mixed with Cass's traveling technology, the brains at E.M.P.I.R.E. get to work on figuring out which reality to return the agents to. Meanwhile, a brand new mission becomes a priority and Cass asks his newfound friends if they'd be willing to help him out given their special abilities. The newly formed group heads off on a mission to explore a corporation that may or may not be a front for intergalactic drug runners. With a fantastic mix of the bizarre and classic thriller spy exploits the story takes plenty of twists and turns, with Cass and the B.P.R.D. members working together to take down the operation. By the time they're done, the E.M.P.I.R.E. scientists are able to send them back home where they find themselves right where they left off. Read More...

By Alex Zalben

A little over a year ago, Ethan Nicolle was a struggling indie comic book creator, fed up with low sales for his otherwise critically acclaimed book Chumble Spuzz. A year later, after teaming up with his five-year-old brother Malachai, Nicolle is fielding offers from Hollywood, maintaining a profitable website, and releasing a new, highly anticipated mini-series from Dark Horse. Axe Cop, of course, became a near instant internet sensation, as much for the hilarious strips Ethan wrote (and drew) with his brother, as the back-story: not many comics are written by a five year old, and drawn by a twenty-nine year old.

With Dark Horse’s new mini-series "Axe Cop: Bad Guy Earth" hitting in March, we chatted with Ethan about sibling rivalry, moving from the web to print, and just what will happen to Axe Cop once Malachai finds out about girls.

MTV Geek: Thanks for taking the time to chat, Ethan… To kick things off, what do your parents think about you and Malachai working together?

Ethan Nicolle: They are very supportive of it. I think we all have the same inclinations both toward letting Malachai be a kid, and also supporting the creative process and embracing the unique situation we are in. It's been a lot of fun for us to go through this together, and I know my Dad has fun reading new episodes of Axe Cop with Malachai whenever they are posted.

MTV Geek: Do you have other relatives who have tried to get in on the Axe Cop action?

EN: Our 12 year old sister Megan has tried a few times, and to her credit, if it weren't for her we would not have Uni-baby. She also indirectly caused the creation of the Best Fairy Ever by trying to get Malachai to insert some fairies and princesses into the story.

MTV Geek: Every creative team has its ups and downs… Do you and Malachai ever argue about the Read More...

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